5th april 2003

 

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Lijnbaan – Rotterdam 15h00 – 16h00

 

Team: Nina, Kirsten and Tina.

 

The decision was to head over to the Stadhuisplein, with the puppet theatre structure and a bunch of chairs. So I planned in advance, got some friends to help, and hoped to see what would happen if we put an audience “auditorium” in front of the structure. To confront the idea of a city hall square and a puppet theatre depicting the “key figures” of the war affair.

But it was too windy today to go to a big open space (if we can even call that to the modest city hall square, that! It’s not even next to the city hall but its separated by a 4 lane road and a terrace where you can drink coffee.) So I went once more to meet my favorite crowd so to say, the shoppers. On a Saturday the Lijnban is one of the most crowded places in the city. Everyone is busy shopping or just browsing. We park the theatre, and the bicycles that helped carry the chairs, and set up the space in the middle of the shopping street. The box stood between clothing shops and 2 large benches stood the Theatre and then in from of it the 6 chairs.

 

As always a small crowd gathered to see what’s about to happen. As soon as they discover that they are supposed to be the actors, the crowd disappears!

 

Because of the wind Nina and I stood holding the structure for a while, and since we had to do so, I thought I might as well start inviting people, verbally, to play – Wilt u spellen? – Nee hoor! (Do you want to play? No! )- not really, but the curious stopped and asked what was it all about. Others thought they had to pay and when they understood that it was for free they were even more puzzled wondering what I was doing there then.

 

I asked my crew to leave the audience, so I could see if that would change things: if people would feel more comfortable to interact, for a potential rather than an actual audience. It did. A few kids sat down waiting. I told them that they should be the players. One took the lead, and the 3 others kept seated, thrilled. The boy chose for Bin Laden, and threatened to blow up a lot of things, I half understood. The friends shouted – louder! And the louder he spoke then of course that attracted a small crowd.

The presence of the seating changed the whole perception of the setting a little bit. It seemed to appear to people more as a ‘real’ puppet theatre, and that something might happen! But who’s playing? They, the readers that said out loud - Kies een pop en spell – (Pick a puppet and play) the words painted in both sides of the structure, and by doing so were invited by me directly to play. The invitation was stressed, understood, but for most of the passers-by it was too large a jump to be taken.

 

I kept inviting passers-by, but not really happy with the role. I was once more expecting to leave the whole platform alone, and see what people would made of it- if they would sit, or play, or stop. Because I had to hold it, things got quite different, if even by inviting the people who take a second look to play, I engaged in some talks, and actually interested a few persons walking by in playing. A lot of people were interested, so I wonder if my presence isn’t really discouraging the interaction. They certainly get the idea of the potential but it’s harder to cross the border to actually participate. And even those who did, for example one girl, told me that in the end that she found it difficult to say something, to have an argument between the characters (just then my team was seated in the audience, so I quite admire her courage, alone playing alone to strangers). The “teatre” was attracting a lot of people, nevertheless I quickly decided to stop because it was not what I projected for today. This decision made me feel good, to understand that I am not there to render a service or trying to reach as much people as I can, but to reach them in the best way I think possible.

 

 

I might mention further that the structure has been drawing aggression again, lately. Like one walking guy who passed quite close to the set, and manage to spit on Bush. Or others that punched one character while praising another.

 

Without doubt a big green puppet theatre like structure does draws a lot of attention! Just on our way back to base, a police woman, asked me if I was going to play in the streets? Fearfully (questioning myself if she was going to ask me for a license to do so) I reply ‘no I am finished for today’. ‘Well nice, good day’ she answered back.