21st
April 2003
……………..……………..…
Hoogstraat
No team 14h40 – 15h50
Characters, Rumsfeld, Bush, Saddam, Balkende and for the first time
Gerrit Zalm - head of the VVD, the party that will form the coalition with the
CDA for the new government.
As usual I left from Piet Zwart, today but with the idea of staging the
theatre structure, alone and for the last time. I headed to Binnenwegplein, the
selected spot and where I’d already been many times before. But when I
arrived, a couple, dressed in 19th century copper coloured outfits
were playing "statue" for the by-standers - the patat eaters, seated
on the wooden benches on another shiny "holy" day.
Since I didn't plan to "compete” with them, I decided to move
to a similar spot, the beginning of the Hoogstraat, another commercial and
"promenade" area. Even though on today Easter Monday, the shops are
not open but the coffee and tea houses, ice-cream shops, and all sorts of snack
bars are. I placed my interactive puppet theatre in a quiet place where people
pass calmly, and stood there watching, thinking over the development of the
world events.
Just a week it felt as though it was a sort of emergency requirement to
go out with the platform in order to keep the discussion about the war alive.
Today it was completely clear the war was over and somehow people , relieved,
no longer find anything that bad or pressing anymore about the whole issue.
It didn't raise so many or as lively reactions today as before, except
for a couple of people, and a man who crossed over Saddam Hussein’s image
pasted on the box with his car keys. I stood there, inconspicuous, or at least
trying to be but I still spotted and talked with a homeless man. some others
winked an eye at me as if to say - "Goed man!" ,But I also saw the
entire structure collapse onto the ground for the first time, due to the wind.
I was thinking O.K. that’s the end of it, but it wasn't the case. It had
only a few scratches, which really pleasantly surprised me. The show went on!
A lot of things came to my mind during this hour. Why I started this
action, for example - the wish to engage people, by actual interaction with and
the manipulation of, hand puppets. To raise deeper questions about
people’s position in the world: manipulated beings or able to control their
own opinions, desires and destinies. To the development of the issues around
the war and the emergency of giving the platform to raise awareness around how
mass media manipulate our opinions and to allow the theatre structure to be
used and interpreted freely by the participants and passers-by. Or even how to
continue now that the feeling of urgency is there again for different reasons.
In this case because the war issue seems placed on our backs as something that
had to happen, that we realised that it had bad consequences but we should
think about the future.
What about the time that millions of people were demonstrating to say
that this war was not their choice? Can they go on now in these changed
circumstances as if nothing had happened?
I have to redefine the role for this structure from now on, and to
consider its lifetime. I’ve always thought or intend that it would stop
at one point, that maybe this would come when it became so much part of the
city life that it is not a surprise anymore, it’s not astonishing or
alienating anyone as it previously did.
Today this possibility was hinted at when at one point a couple walking
around, asked me to take a picture of them next to the structure. I don't know
if they were aware of me as the person responsible for the theatre and the
puppets, or whether they just thought of that spot as the one with the best
light, but anyway, this enamoured pair will take home 2 pictures of them
standing next to a green wooden box, displaying the key world and Dutch political
figures of the moment and that until now still functions as an open stage.